Punch Card Goals

Jan. 6th, 2026 12:39 pm
ysabetwordsmith: Text says New Year Resolutions on notebook (resolutions)
[personal profile] ysabetwordsmith posting in [community profile] goals_on_dw
Punch Card Goals: Creative Goal Setting Made Simple

Instead of a traditional goal list, I turned my intentions into punch cards!

If you’re a crafter, a goal-setter, or someone who just wants their habits to feel more like play than pressure, this might be your new favorite New Year ritual (or anytime you want to set new goals)
.


This is also a great approach for people who like tactile things. It would probably work well for children too.
duskpeterson: The lowercased letters D and P, joined together (Default)
[personal profile] duskpeterson

Most travellers to the Emorian borderland take the opportunity to visit the capital of Emor, located immediately north of the borderland.

With walls higher and thicker than those of any other city in the Three Lands, Emor's capital looks from the outside to be a garrisoned fort. This appearance is deceptive. Once you pass through the heavily guarded gates, you will find yourself in a bustling city, full of trade and games.

My strong advice is that your first task should be to find a place to stay. The capital's inns are crowded year-round; the more crowded they are, the higher the prices they charge. If it is at all possible, see whether you can find an acquaintance to stay with – though I'm bound to say that the capital's residents are so used to "friends" showing up at their homes without notice that many of them now charge boarding fees almost as high as those charged by the inns.

You could easily spend a year perusing all the sights in Emor. I can only touch on a few of them here.


[Translator's note: The gates to Emor's capital feature in a spiritual vision in Death Mask.]

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Posted by Sarah

Books Front Lines and Frontiers

From Camazotz to Stranger Things: A Wrinkle in Time by Madeleine L’Engle

A reminder that this SF classic never goes out of style…

By

Published on January 6, 2026

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<p class="syndicationauthor">Posted by Sarah</p><p class="ljsyndicationlink"><a href="https://reactormag.com/from-camazotz-to-stranger-things-a-wrinkle-in-time-by-madeleine-lengle/">https://reactormag.com/from-camazotz-to-stranger-things-a-wrinkle-in-time-by-madeleine-lengle/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=835505">https://reactormag.com/?p=835505</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-vertical"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/books/" class="inline-block link-no-animation" aria-label="Link to term or tag Books 0"> Books </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/front-lines-and-frontiers/" class="inline-block link-no-animation" aria-label="Link to term or tag Front Lines and Frontiers 1"> Front Lines and Frontiers </a> </span> </div> <h2 class="post-hero-title text-h1">From Camazotz to <i>Stranger Things</i>: <i>A Wrinkle in Time</i> by Madeleine L’Engle</h2> <div class="prose post-hero-description prose--post-hero">A reminder that this SF classic never goes out of style&#8230;</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/alan-brown/" title="Posts by Alan Brown" class="author url fn" rel="author">Alan Brown</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on January 6, 2026 </p> </div> </div> <div class="quick-access 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15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2026/01/wrinkle-in-time-50th-header-740x407.png" class="w-full object-cover" alt="cover of the 50th Anniversary Edition of A Wrinkle in Time" srcset="https://reactormag.com/wp-content/uploads/2026/01/wrinkle-in-time-50th-header-740x407.png 740w, https://reactormag.com/wp-content/uploads/2026/01/wrinkle-in-time-50th-header-1100x605.png 1100w, https://reactormag.com/wp-content/uploads/2026/01/wrinkle-in-time-50th-header-768x422.png 768w, https://reactormag.com/wp-content/uploads/2026/01/wrinkle-in-time-50th-header.png 1400w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>In this <a href="https://reactormag.com/tag/front-lines-and-frontiers/" target="_blank" rel="noreferrer noopener">bi-weekly series</a> reviewing classic science fiction and fantasy books, Alan Brown looks at the front lines and frontiers of the field; books about soldiers and spacers, scientists and engineers, explorers and adventurers. Stories full of what Shakespeare used to refer to as “alarums and excursions”: battles, chases, clashes, and the stuff of excitement.</p> <hr class="wp-block-separator has-alpha-channel-opacity" /> <p>Today, we’re looking at <em>A Wrinkle </em><em>in Time</em>, a classic children’s book I first read about six decades ago, and which has suddenly become topical again. My son, who (along with his wife and daughter) is a <em>Stranger Things</em> fan, recently told me that Holly, one of the characters on the show, was reading <em>A Wrinkle in Time</em> and using it to put some of her supernatural adventures in context during this final season. There must be a few <em>Stranger Things</em> fans who noted the connection and might be wondering what this old book is about, and since delving into old science fiction books is kind of my thing, I am happy to help them out!</p> <p>I couldn’t find a copy of <em>A Wrinkle in Time</em> in my basement, so for this review I checked a copy out of my local library. Other than stating the book was copyrighted in 1962 by Farrar, Straus, and Giroux, there is no mention of when this particular edition was published, although from the long list of other books by L’Engle in the front of the book, it was some decades after its original run. It features <a href="https://www.rmichelson.com/illustration/leo-diane-dillon/science-fiction/wrinkle-in-time/" target="_blank" rel="noreferrer noopener">cover art by Leo and Diane Dillon</a>, which captures some key scenes from the book in a nice, impressionistic fashion. The cover also includes the special seal that indicates the book received the John Newbery Medal, a prestigious literary award given annually by the Association for Library Service to Children since 1921.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>About the Author</strong></h3> <p><a>Madeleine L’Engle</a> (1918-2007) was an American author who frequently wrote for children, and whose work often featured science fiction and fantasy themes. Born in New York City, she was a shy child and difficult student whose parents moved her between a number of private schools. She was an actor in New York when she met her husband, actor Hugh Franklin. They moved to Connecticut where they ran a small store, and she was able to focus on her writing. They had three children, one of whom was adopted. After years of rejections, L’Engle finally found success with <em>A Wrinkle in Time</em>. That best-selling book was followed by several direct sequels, including <em>A Wind in the Door</em> and <em>A Swiftly Tilting Planet</em>, and many of her later works were set in the same universe as that original book. In addition, L’Engle also wrote a play, short stories, poetry, books for adults, and works on Christian theology. She received many awards during her lifetime, and was recognized in 1997 with a World Fantasy Award for lifetime achievement.</p> <p><em>A Wrinkle in Time</em> has been adapted twice by the Disney Corporation. The first was a television movie in 2004, which did not fare well with critics and was disliked by L’Engle. The second adaptation was a big-budget feature film released in 2018, directed by Ava DuVernay, buoyed by a cast of respected actors and impressive special effects. Unfortunately, this film was also met with a mixed critical reception, and did not do well at the box office.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>The Spiritual Dimension</strong></h3> <p>If my recollection is correct, I first read <em>A Wrinkle in Time</em> back in 1964 or 1965, when I was nine or ten years old. My mom generally visited the library every two weeks, and would pick up books she thought might interest me and my brothers. I do remember that the first time I read it, the book scared the heck out of me. The idea of a child having to rescue a parent was a bit much for me to accept, and L’Engle did a very good job making the antagonists evil and keeping the narrative tension high. But while I remember to this day many of the scenes from the book and the battle between light and dark, upon my first reading I missed the spiritual nature of the book.</p> <p>During this latest re-read, which I think is the first time I’ve revisited the book since that initial reading, the religious aspects of that fight between light and dark jumped right out at me. The book explicitly mentions God, and the inhabitants of one planet sing a hymn based on a quote from the Hebrew Bible (the 42<sup>nd</sup> chapter of the Book of Isaiah, according to my research). At another point, when discussing historical figures who have stood against darkness, one character quotes the Gospel of John, the fifth verse of the first chapter, in a passage referring to Jesus: “And the light shineth in darkness; and the darkness comprehended it not.” But despite these references, the spirituality of the book is not heavy-handed, and L’Engle approaches the religious aspects with an open-minded, ecumenical approach.</p> <p>One interesting aspect of L’Engle’s approach is that she flips the cliché of order being associated with good and chaos being associated with evil. Her protagonist, Meg Murry, is insecure, emotional, and frequently angry. The three women who guide Meg are quirky and unpredictable. L’Engle shows that the side of good and light can be served by people with faults and messiness in their lives, and those who are creative and unpredictable. On the other hand, the evil antagonists emphasize order and discipline. They take pleasure in destroying people’s individuality, and forcing them into conformity and obedience. The greatest weapon of evil is authoritarianism.</p> <p>Ironically, in preparing for this review, I discovered that <em>A Wrinkle in Time</em> has frequently been challenged and targeted for banning from libraries for various reasons, including complaints about the religious aspects of the novel. Detractors mention the fact that in the book, Jesus is listed among a number of historical figures who have stood against darkness, which they argue diminishes his divinity (despite the fact that he’s mentioned before any other historical figure, and his name accompanied by a quote from the Bible). But it appears to me that the biggest reason motivating these attempts at book banning is not what is explicit in the text—it is the beliefs of L’Engle herself.</p> <p>During her lifetime, L’Engle espoused Christian universalism, an ecumenical approach to the faith that has long raised the ire of the type of fundamentalists who are behind most book-banning efforts. And certainly, her embrace of creativity and free thinking runs counter to the philosophy of those whose approach to religion emphasizes order and obedience. I find this sad, because as a Christian, I feel L’Engle’s inclusive and open-minded approach is a better representation of the faith than the angry voices of censorship.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong><em>A Wrinkle in Time</em></strong></h3> <p>During a “dark and stormy night” (L’Engle audaciously opens the book with that hoary cliché), Meg Murry is fretful and unable to sleep, troubled by problems at school and the mystery of her missing father. She goes downstairs to find her youngest brother, the odd but precocious Charles Wallace, who has made sandwiches. Her mother joins them, and examines Meg’s face, bruised in a fight at school after someone taunted her about her brother’s oddness. Charles Wallace reports that three women have taken residence in a nearby abandoned, and allegedly haunted, house, and that he has met one of them, Mrs. Whatsit. And then she shows up—an eccentric woman swathed with scarves and wearing a big hat. Mrs. Murry is not impressed, but invites her in, and is stunned when Mrs. Whatsit mentions a tesseract, which is a concept her physicist husband had been working on before he disappeared.</p> <p>This all happens in the first chapter, and L’Engle proves herself an expert in worldbuilding, capable of providing the reader with large amounts of information without resorting to lumps of exposition. While troubled young protagonists are common today, they were not in the days when the book was written, and during my first reading, I found myself, a bookish, insecure, and bespectacled youngster, immediately identifying with Meg and her faults.</p> <p>The next day, a tired and grumpy Meg mouths off to a teacher and is then sent to the principal, who tells her she must accept the fact her father is gone, which only makes her angrier. After school, Charles Wallace asks her to go and visit his three new friends at their haunted house. Along the way they meet Calvin O’Keefe, who Meg thinks is quite handsome. Calvin comes from a large and unhappy family that lives nearby, and has arrived at the haunted house because he felt an odd compulsion to be there, although he isn’t sure why. Together they proceed to the house, where they meet Mrs. Who, a plump woman with thick glasses who speaks in historical quotes, many in foreign languages, which she then helpfully translates. She advises them to go home and get some food and rest… but for what purpose, she will not say.</p> <p>Calvin comes over for supper, and the whole family takes a liking to him. Mrs. Murry can see that strange things are happening, but has faith they are happening for a good reason. Calvin and Meg talk about her father, a government physicist who went missing, and how no one will tell the family where he is. Meg starts to cry, and Calvin comforts her, but Charles Wallace interrupts and tells them it is time to go find their father. Mrs. Whatsit and Mrs. Who arrive, and are joined by Mrs. Which, an ethereal, shimmering being. And suddenly, they are all somewhere else—a place that the three women identify as the planet Uriel. Mrs. Which materializes, wearing a peaked hat and carrying a broom, making the pun of her name perfectly clear. They have traveled by “tesser,” a way of wrinkling time and space.</p> <p>The women state that Meg, Calvin, and Charles Wallace can help rescue her father, and Mrs. Whatsit transforms into a giant winged (and surprisingly, male) centaur. They fly high into the sky, surrounded by other flying centaurs who sing an inspirational song. When they reach the peak of their journey, and the air becomes too thin to breathe, the children see a large, dark, and forbidding presence in the heavens; this is the darkness that has captured Meg’s father.</p> <p>The three women tell the horrified children that in order to rescue Mr. Murry, they must travel beyond the darkness. And here, the science behind their mode of travel is explained, a folding of space and time in dimensions beyond our own, involving concepts like tesseracts. L’Engle takes what looked like fantasy up to this point and recontextualizes it as the type of technology Arthur C. Clarke was referencing when he said, “Any sufficiently advanced technology is indistinguishable from magic.” They then travel to Orion’s Belt to visit a seer who is aptly called the “Happy Medium,” who helps the children understand the long struggle between the forces of darkness and light, and they learn that Mrs. Whatsit had been a star who sacrificed her larger existence in the fight against the darkness. The seer shows them the planet Camazotz, at the heart of the darkness, where Mr. Murry is imprisoned. They are told that the darkness will not allow the three women to accompany them; after receiving words of warning and advice, Mrs. Who gives Meg her glasses to aid her during the rescue, and off they go.</p> <p>The first thing Meg, Calvin, and Charles Wallace see in Camazotz is a neighborhood of identical houses where all the children skip ropes and bounce balls in perfect unison, and whose mothers call them in for supper at the same time. They speak to one of those mothers, who is baffled and frightened by their non-conformity. An uneasy paper carrier tells them they can find the Central Intelligence Center in the heart of the nearby city, which is the capital of Camazotz. He also refers to something called IT, which resides at that Center. They find themselves surrounded by people motivated by fear, who do not want anything to do with visitors who don’t fit in. Despite feeling an oppressive sense of foreboding, the three children enter the headquarters building.</p> <p>There they are exposed to the cruelty of IT, which rules the world of Camazotz through torture, intimidation, and mind control. IT uses an avatar, the Man with Red Eyes, to both cajole and threaten them. Then Charles Wallace, too confident in his mental powers, attempts to take on IT directly and ends up as a mind-controlled avatar himself. Meg uses Mrs. Who’s glasses to access her father in prison; it turns out that Dr. Murry had discovered how to tesser during his research, and had fallen into the clutches of the dark forces of IT. When IT attacks them, Dr. Murry is unable to help Charles Wallace, but manages to tesser himself, Meg, and Calvin to another planet that orbits the same star as Camazotz. Its inhabitants are repellent to look at, but kind and capable, and one of them, who Meg dubs “Aunt Beast,” nurses Meg back to health. Mrs. Whatsit, Who, and Which finally arrive, revealing that only Meg possesses the qualities needed to rescue Charles Wallace from the clutches of IT. Thus, she must decide whether she can face the pain and fear of returning to Camazotz to do so. I’ll leave the recap here, as I highly recommend the book to everyone, and don’t want to spoil the ending.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Final Thoughts</strong></h3> <p><em>A Wrinkle in Time</em> is still read and remembered today for some very good reasons. Madeleine L’Engle was a marvelous author who had a knack for speaking to young readers at their level without talking down to them. The book has an entertaining sense of whimsy, relatable characters, a strong moral core, and is infused with a positive, thoughtful approach to religion and spirituality. While I found <em>A Wrinkle in Time</em> rather intense when I was young, I found myself remembering nearly every aspect of the book as I re-read it six decades later, a testimony to the power of the narrative. And despite being decades old, the book feels fresh and not at all dated.</p> <p>And now I turn the floor over to you: If you’ve read <em>A Wrinkle in Time</em>, or other books by L’Engle, I’d love to hear your thoughts on her work. And while, as I write this, the last few episodes of this season of <em>Stranger Things</em> have yet to air, the final season will have ended by the time this column publishes. I’d enjoy hearing your thoughts on the relationship between the two narratives, and any parallels between the ideas or characters in <em>A Wrinkle in Time</em> and the world of the TV series (or in any other works that have taken inspiration from L’Engle’s novel over the years…)[end-mark]</p> <p>The post <a href="https://reactormag.com/from-camazotz-to-stranger-things-a-wrinkle-in-time-by-madeleine-lengle/">From Camazotz to &lt;i&gt;Stranger Things&lt;/i&gt;: &lt;i&gt;A Wrinkle in Time&lt;/i&gt; by Madeleine L’Engle</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/from-camazotz-to-stranger-things-a-wrinkle-in-time-by-madeleine-lengle/">https://reactormag.com/from-camazotz-to-stranger-things-a-wrinkle-in-time-by-madeleine-lengle/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=835505">https://reactormag.com/?p=835505</a></p>

Prompt: #476 - Regret

Jan. 6th, 2026 01:05 pm
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This week's prompt is regret.

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Posted by Molly Templeton

News Tomb Raider

The Tomb Raider Prime Video Series Cast (So Far)

Do you think Jason Isaacs ever longs to just play a really nice guy?

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Published on January 6, 2026

Screenshot: HBO

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<p class="syndicationauthor">Posted by Molly Templeton</p><p class="ljsyndicationlink"><a href="https://reactormag.com/tomb-raider-prime-video-cast/">https://reactormag.com/tomb-raider-prime-video-cast/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=835600">https://reactormag.com/?p=835600</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/tomb-raider/" class="inline-block link-no-animation" aria-label="Link to term or tag Tomb Raider 1"> Tomb Raider </a> </span> </div> <h2 class="post-hero-title text-h1">The <i>Tomb Raider</i> Prime Video Series Cast (So Far)</h2> <div class="prose post-hero-description prose--post-hero">Do you think Jason Isaacs ever longs to just play a really nice guy?</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/molly-templeton/" title="Posts by Molly Templeton" class="author url fn" rel="author">Molly Templeton</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on January 6, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Screenshot: HBO</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] 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740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Screenshot: HBO</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>As was announced last fall, Sophie Turner—who has already played the iconic roles of Sansa Stark and Jean Grey—<a href="https://reactormag.com/tag/tomb-raider/" target="_blank" rel="noreferrer noopener">is our new Lara Croft</a>, action-loving archaeologist star of the <em>Tomb Raider</em> franchise. Prime Video&#8217;s <em>Tomb Raider</em> series comes from showrunners Phoebe Waller-Bridge (<em>Fleabag</em>) and Chad Hodge (<em>Good Behavior</em>), which automatically makes it somewhat intriguing.</p> <p>Now that the show has revealed its full supporting cast, the intrigue factor has jumped up several levels. Sigourney Weaver has gone from &#8220;<a href="https://reactormag.com/tomb-raider-series-sigourney-weaver-cast/" target="_blank" rel="noreferrer noopener">in talks</a>&#8221; to &#8220;in the cast,&#8221; and she&#8217;ll be playing Evelyn Wallis, described by <a href="https://www.hollywoodreporter.com/tv/tv-news/tomb-raider-cast-amazon-sigourney-weaver-jason-isaacs-more-1236465476/" target="_blank" rel="noreferrer noopener"><em>The Hollywood Reporter</em></a> as &#8220;a mysterious, high-flying woman who is keen to exploit Lara’s talents.&#8221;</p> <p>Three existing characters from the <em>Tomb Raider</em> universe have been cast, including Jason Isaacs (<em>The White Lotus</em>, pictured above) as Atlas DeMornay, Lara&#8217;s uncle. Atlas—whose name alone does not suggest he&#8217;s the most upstanding of characters—has appeared or been mentioned in two games and a <em>Tomb Raider</em> comic, and was the executor of the Croft estate after his sister Amelia&#8217;s death. </p> <p>Bill Paterson (<em>House of the Dragon</em>) will play Winston, the Crofts&#8217; butler; Martin Bobb-Semple (<em>One of Us Is Lying</em>) has been cast as Zip, who provides tech support (surely his activities are all above-board).</p> <p>The rest of the new cast includes the always-excellent Celia Imrie (<em>The Thursday Murder Club</em>), who <em>THR</em> says is &#8220;the head of advancement at the British Museum, focused solely on raising funds and glasses of champagne.&#8221; </p> <p>The also always-excellent Paterson Joseph (<em>Avenue 5</em>) is &#8220;a senior government official brought in to clean up an almighty mess.&#8221; Lara will have a pilot &#8220;and snack collector,&#8221; Gerry, played by <em>Pennyworth</em> star Jack Bannon, and a &#8220;deeply competitive new adversary,&#8221; Sasha, who is played by Sasha Luss (<em>Valerian and the City of a Thousand Planets</em>).</p> <p>There&#8217;s also an &#8220;exhausted government official&#8221; played by John Heffernan (<em>A Gentleman in Moscow</em>); a &#8220;by-the-books curator at the British Museum&#8221; played by Juliette Motamed (<em>We Are Lady Parts</em>); and &#8220;an illegal raider who shares history with Lara.&#8221; The latter role has been filled by German actor August Wittgenstein, whose cheekbones suggest a sultry sort of history.</p> <p>No premiere date has been announced for the Prime Video series, which is of course based on the long-running series of games originally created by Core Design.[end-mark]</p> <p>The post <a href="https://reactormag.com/tomb-raider-prime-video-cast/">The &lt;i&gt;Tomb Raider&lt;/i&gt; Prime Video Series Cast (So Far)</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/tomb-raider-prime-video-cast/">https://reactormag.com/tomb-raider-prime-video-cast/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=835600">https://reactormag.com/?p=835600</a></p>
[syndicated profile] reactor_feed

Posted by Sarah

Movies & TV Stranger Things

Critical Hits and Misses of the Stranger Things Finale

Let’s talk about what worked, and what really didn’t, in this final season.

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Published on January 6, 2026

Credit: Netflix

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<p class="syndicationauthor">Posted by Sarah</p><p class="ljsyndicationlink"><a href="https://reactormag.com/critical-hits-and-misses-of-the-stranger-things-finale/">https://reactormag.com/critical-hits-and-misses-of-the-stranger-things-finale/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=835445">https://reactormag.com/?p=835445</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/movies-tv/" class="inline-block link-no-animation" aria-label="Link to term or tag Movies &amp; TV 0"> Movies &amp; TV </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/stranger-things/" class="inline-block link-no-animation" aria-label="Link to term or tag Stranger Things 1"> Stranger Things </a> </span> </div> <h2 class="post-hero-title text-h1">Critical Hits and Misses of the <i>Stranger Things</i> Finale</h2> <div class="prose post-hero-description prose--post-hero">Let&#8217;s talk about what worked, and what really didn&#8217;t, in this final season.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/tyler-dean/" title="Posts by Tyler Dean" class="author url fn" rel="author">Tyler Dean</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on January 6, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Credit: Netflix</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/critical-hits-and-misses-of-the-stranger-things-finale/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 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9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="435" src="https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-mike-740x435.jpg" class="w-full object-cover" alt="Finn Wolfhard as Mike in Stranger Things season 5" srcset="https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-mike-740x435.jpg 740w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-mike-1100x647.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-mike-768x452.jpg 768w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-mike-1536x904.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-mike.jpg 1700w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Credit: Netflix</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>So… the <em>Stranger Things</em> finale was pretty good? It avoided most of the major pitfalls it had set up for itself, threaded the majority of its needles, and ended with a big dose of John Hughes and Stephen King—not the King of <em>It</em> or <em>The Mist</em> or <em>’Salem’s Lot</em>, but the sappy, sometimes even treacly King of <em>Stand by Me</em> and <em>The Life of Chuck</em>. </p> <p>In a world of endlessly franchisable IPs and superhero fatigue where nothing can ever truly end for its characters, <em>Stranger Things</em>, despite having multiple spinoffs in the works, managed to make its ending feel final, reverent, and complete. Mostly. So let’s get into it and talk about what worked and didn’t work, both in the finale and the series as a whole…</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Natural Twenty: </strong>Queerness</h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="647" src="https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-will-1100x647.jpg" alt="Noah Schnapp as Will in Stranger Things season 5" class="wp-image-835465" srcset="https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-will-1100x647.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-will-740x435.jpg 740w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-will-768x452.jpg 768w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-will-1536x904.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-will.jpg 1700w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Netflix</figcaption></figure> <p>In the end, <em>Stranger Things</em> came through in its representation of queerness. Between Robin and Will, the show managed to have marginalized characters (eventually) be centered, thoughtful, and happy. Even though Will’s coming out scene ultimately feels like it was written as a laundry list of ’80s nostalgia experiences (I’m just like you! I also love capitalist products and mainstream pop culture!), it’s pretty heartwarming, even if the show makes it a little weird by having Will come out not only to his closest friends and family but also his brother’s girlfriend’s ex-boyfriend who he’s never spoken to, his physics teacher, and a random conspiracy theorist/smuggler.&nbsp;</p> <p>But if there were some hitches in the lead-up to the finale, the show does an excellent job in how it chooses to end Will’s story. In Mike’s hopeful narration for what he wants for his friends, we see Will, sometime in the early ’90s, in a bar that, if not a gay bar, is certainly queer-coded, meeting up with a boyfriend. Mike’s narration is clear that the sort of ending Will deserves is only available far away in “the bustling city of Vallaki” (we could nitpick here and say that Vallaki is hardly a bustling city in the <em>Ravenloft</em> adventure they’re playing and also note that it was only added with the 2016 publication of <em>Curse of Strahd</em>, but let’s get back to Will). There is a definite cut against the wish fulfillment fantasy of Will finding happiness in Hawkins with the friends he’s grown up with. But that is part of the magic of coming out for those lucky enough to be able to leave their bigoted small towns behind—the world is much larger than where you grew up, and there are better people in it than you thought possible.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Natural One:</strong> Thinking About Race</h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="647" src="https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-kali-1100x647.jpg" alt="Linnea Berthelsen as Kali in Stranger Things season 5" class="wp-image-835468" srcset="https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-kali-1100x647.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-kali-740x435.jpg 740w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-kali-768x452.jpg 768w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-kali-1536x904.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-kali.jpg 1700w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Netflix</figcaption></figure> <p>My surprise at how well Will and Robin’s character arcs worked out is, in part, because the show handled race (and, to a lesser extent, gender) with less-than-deft hands. In general, this took the form of ignoring race entirely. Other than one or two unfollowed-up-upon racist comments aimed at Lucas and Erica (mostly in earlier seasons), the fact that they are Black in rural, mid-’80s Indiana seems completely immaterial. See my <a href="https://reactormag.com/everything-you-need-to-know-before-stranger-things-final-season/" target="_blank" rel="noreferrer noopener">previous discussion of season four</a> for some further exploration of the ways in which the show really doesn’t seem to understand Lucas and privilege. </p> <p>The finale follows up on this vague lack of understanding about its characters of color with its treatment of Kali/Eight (really? Kali?). While I do think that bringing her back showed an admirable commitment to not simply memory-holing plot points that didn’t fully work in previous seasons (I will also admit to some malicious glee at seeing Kali’s gang of too-quirky misfits and lazy punk stereotypes getting gunned down), the show seemed to never fully acknowledge that Kali’s outlook might have been partially shaped by being a woman of color in a hostile nation. The fact that <em>Stranger Things</em> not only uses her as their annual sacrifice-a-secondary-character-to-provide-drama figure but also places the nihilistic argument that she and Eleven both have to die in order to put an end to the government’s experiments in Kali’s mouth feels simultaneously ahistorical, cruel, and more than a little bit tone-deaf given the Duffer Brothers’ misunderstandings of how race in America worked in the ’80s and still works today.&nbsp;</p> <p>As a final note, it also feels more than a little weird that Kali’s death is partially the result of Hopper choosing to leave her behind when she and El are both incapacitated by the military’s sonic weapons. It feels in character for Hopper and he does, eventually, go back for her, but it does so in a way that seems like it needed to be discussed and reckoned with later. Because it’s the finale, there isn’t time to do so. But we are left with a character of color sacrificing themself so that a white character can live, and this is made more troubling because it comes at the end of a long line of some uncomfortable characterizations that make me less generous in assessing the finale.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Critical Hit:</strong> A Lack of Wish Fulfillment</h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="647" src="https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-eleven-1100x647.jpg" alt="Millie Bobby Brown as Eleven in Stranger Things season 5" class="wp-image-835471" srcset="https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-eleven-1100x647.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-eleven-740x435.jpg 740w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-eleven-768x452.jpg 768w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-eleven-1536x904.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-eleven.jpg 1700w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Netflix</figcaption></figure> <p>I’ve long complained about the plot armor of <em>Stranger Things</em> protagonists and the ways in which the show often compromised an interesting story to work in a bit of wish fulfillment or a badass sequence. To its confounding credit, the finale managed to avoid almost every pitfall it looked like it was setting itself up for. It pulled back from the inclination of breaking up Nancy and Jonathan so that she could get back together with Steve; it resisted giving Will a last-minute love interest so that everyone could be paired off; it left Robin and Vickie’s relationship up in the air (Robin makes mention of an overbearing significant other in her final scene, but that may or may not be Vickie); and it refused to give Mike or Hopper any clear sign that Eleven had survived.</p> <p>But, more than just resisting its worst impulses, the show leaned hard into the uncertainty of growing up. For the D&amp;D group, we have Mike’s hopes for his friends, paired with footage that seems to confirm these hopes without actually giving us proper epilogues. It asks us to want happy endings and to suggest they are possible, but never goes so far as to goofily mandate them. For the older kids, we get a rooftop meeting where they promise to always remain in one another’s lives despite how much they already seem to be drifting apart. It’s the sort of scene that plays, for adult viewers, as the last time these characters will all be in the same place at the same time. Perfectly underscored by Cowboy Junkies’ “Sweet Jane” (my favorite needle drop in the entire show), it’s elegiac and fulfilling, even as it refuses to assure us that these relationships will continue.&nbsp;</p> <p>And that all dovetails with Eleven’s possible escape from her apparent death. There’s a plausible explanation for how she might have survived and there are enough clues in the moment that seem to support it (the illusory Eleven doesn’t have a nosebleed or her Hawkins Lab tattoo). And, while the revelation that a central character may secretly be alive could invite a certain amount of eye-rolling, this honestly feels like the perfect way to let go. She is forever barred from finding her friends or family but she gets to start anew. Mike gets to move on and live a somewhat normal life. Hopper finally has to process the grief of losing Sarah and Eleven, in telling him that she isn’t a replacement, gifts him the ability to live a life that isn’t spent in the shadow of a child he believes he failed.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Critical Miss:</strong> Dr. Kay</h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="647" src="https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-linda-hamilton-1100x647.jpg" alt="Linda Hamilton in Stranger Things season 5" class="wp-image-835464" srcset="https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-linda-hamilton-1100x647.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-linda-hamilton-740x435.jpg 740w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-linda-hamilton-768x452.jpg 768w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-linda-hamilton-1536x904.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-linda-hamilton.jpg 1700w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Netflix</figcaption></figure> <p>Not much to say here other than if you’re going to cast national treasure like Linda Hamilton, you have to <em>do</em> <em>something </em>with her. Much like Carey Elwes in season three, this particular bit of ’80s nostalgia stunt casting ended up squandering its considerable potential.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Critical Hit:</strong> Processing Trauma</h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="647" src="https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-joyce-1100x647.jpg" alt="Winona Ryder as Joyce in Stranger Things season 5" class="wp-image-835470" srcset="https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-joyce-1100x647.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-joyce-740x435.jpg 740w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-joyce-768x452.jpg 768w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-joyce-1536x904.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-joyce.jpg 1700w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Netflix</figcaption></figure> <p>I’m not talking about Joyce’s “you fucked with the wrong family.” That line seems to be yet another listless stab at the iconic “<a href="https://youtu.be/cStRa4OiUlQ?si=T2aFaLm6Ykg4GWXy" target="_blank" rel="noreferrer noopener">Get away from her, you bitch</a>” moment in which Ryder’s esteemed Alien franchise costar faces off against the Xenomorph queen (and which has been <a href="https://youtu.be/Oybz5Q-If9M?si=8koZJ1kUvMwOyXjV" target="_blank" rel="noreferrer noopener">redone to the point of parody</a>—<a href="https://youtu.be/6LhzokHH9eQ?si=8K8jS-puwec7y7Iu" target="_blank" rel="noreferrer noopener">over</a> and <a href="https://youtu.be/gcyfdm6JH7o?si=6EWdjz4LuE3csT8P" target="_blank" rel="noreferrer noopener">over</a> again. Besides, Nancy being styled like Ripley and kicking ass with a shotgun feels like a much better homage). But, as Joyce hacks off Vecna’s head, the show flashes to each of the main characters in turn as they consider the awful things they’ve endured. Their expressions aren’t about closure—the characters are, if anything, triggered by what they are seeing. The deaths, abuses, indignities, and gaslighting they have suffered though are still very present and it’s clear that the show ends only as the healing begins…a long and arduous journey outside of the purview of the finale itself. </p> <p>The whole thing pairs nicely with the end of Will’s arc as a survivor. In the finale, we learn that Henry Creel is not the mastermind puppeting the Mindflayer, but rather another victim who became a forced accomplice over years of abuse and torture. When Will discovers this, he draws the obvious parallel—“you’re just like me”—but Henry scoffs at this, too far down the path of capitulating to monstrousness to imagine the possibility of redemption. A last-minute face turn from Vecna would have been unbearable, but allowing Will to empathize with him is the final proof of his moral convictions. It’s a great end to Will’s journey towards self-acceptance and an ameliorating corollary to the show’s idea that nostalgia comes from trauma observed at a temporal remove.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Critical Miss:</strong> Tie-ins with the Play</h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="647" src="https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-henry-1100x647.jpg" alt="Raphael Luce as Henry Creel in Stranger Things season 5" class="wp-image-835469" srcset="https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-henry-1100x647.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-henry-740x435.jpg 740w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-henry-768x452.jpg 768w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-henry-1536x904.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-season-5-henry.jpg 1700w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Netflix</figcaption></figure> <p>From everything I’ve heard, <em>Stranger Things: The First Shadow</em> is a real mess. Like <em>Harry Potter and the Cursed Child </em>(which was also co-written by <em>The First Shadow</em> playwright Jack Thorne), it’s a lot of spectacle and nostalgia crammed with as many references to its source material as possible. Like the laziest of fan fiction or the most soulless of corporate cash grabs, it risks ruining its plot by obsessively tying itself in with a more beloved story—in this particular case, by making Henry Creel a high school classmate of Joyce, Hopper, the Wheelers (weirdly retconning the fact that Ted Wheeler is supposed to be significantly older than Karen), and Sean Astin’s Bob Newby. With Creel firmly tied in with Hawkins Lab and the Creel family massacre being a part of the town’s mythos, it truly makes no sense that Henry is also the old classmate of two of the show’s main characters. </p> <p>It’s even weirder that the show both doubles down on the canonicity of the play while never once acknowledging that Joyce decapitates her old drama club buddy. As a result, the <em>Stranger Things</em> finale feels like it’s both paying off plot points it didn’t set up (like Joyce’s profoundly weird school play set) while also treating previously available information like it’s a reveal (Henry’s experiences in the cave are detailed in the play but have to be treated as new information because of how few show viewers had actually seen it). That’s pretty messy. And, again, this all feels like it’s in service to a play that was <a href="https://slate.com/culture/2025/04/stranger-things-broadway-first-shadow-netflix-play-review.html" target="_blank" rel="noreferrer noopener">largely panned</a> for everything unrelated to set design and visual effects. The inclusion of that material makes the show more confusing at best and much, much less compelling at worst. </p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>In Conclusion</strong></h3> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="647" src="https://reactormag.com/wp-content/uploads/2026/01/stranger-things-finale-group-1100x647.jpg" alt="Stranger Things season 5" class="wp-image-835466" srcset="https://reactormag.com/wp-content/uploads/2026/01/stranger-things-finale-group-1100x647.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-finale-group-740x435.jpg 740w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-finale-group-768x452.jpg 768w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-finale-group-1536x904.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/01/stranger-things-finale-group.jpg 1700w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Netflix</figcaption></figure> <p>All in all, <em>Stranger Things </em>stuck its landing better than I could have possibly imagined. There might have been some low expectations going into season five, but the show managed to treat its characters with respect while never sinking into the pointless, fan-service reverence that previous seasons seemed to be angling towards. It played its nostalgia for pathos rather than winking reference and was, in the end, the ending to a much better show than it had been in ages. But what do you think? Did it satisfy your craving for Stephen King-esque ’80s horror? Did you also like the eleventh-hour <a href="https://reactormag.com/krull-deserves-a-bigger-cult-following-whos-with-me/" target="_blank" rel="noreferrer noopener">reference to <em>Krull</em></a> where the final fight with the monster takes place inside the brutalist body of a larger monster? What were your favorite or least favorite parts of the whole thing? Let me know in the comments![end-mark]</p> <p>The post <a href="https://reactormag.com/critical-hits-and-misses-of-the-stranger-things-finale/">Critical Hits and Misses of the &lt;i&gt;Stranger Things&lt;/i&gt; Finale</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/critical-hits-and-misses-of-the-stranger-things-finale/">https://reactormag.com/critical-hits-and-misses-of-the-stranger-things-finale/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=835445">https://reactormag.com/?p=835445</a></p>

Fandom Snowflake Day 3

Jan. 6th, 2026 10:05 pm
swingandswirl: text 'tammy' in white on a blue background.  (tammy)
[personal profile] swingandswirl
two log cabins with snow on the roofs in a wintery forest the text snowflake challenge january 1 - 31 in white cursive text



Challenge #3: Write a love letter to fandom. It might be to fandom in general, to a particular fandom, favourite character, anything at all.

Wow. Where do I even start with fandom?
 
Fandom changed the course of my life, for the better.
 
Fandom was how I, a sheltered teen growing up in a conservative country, encountered gay couples for the first time, when shipper drama had me fleeing to the slash side of HP fandom. [personal profile] senmut and [personal profile] ilyena_sylph introduced me to poly couples with Happy’Verse, and I’m still friends with both of them to this day. The very kind encouragement of the folks in the World’s Finest Superbat comm gave me the courage to publish my own fic, first Harry Potter and then Superbat. And then Numb3rs fandom (and specifically numb3rs100 and its weekly prompts) taught me how to write. And then my beloved co-writers taught me how to write things longer than drabbles.
 
I’ve lost a lot of those old fannish friends, whether they moved on from a fandom or I did, or when platforms shut down. But I’ve been lucky to keep some incredibly dear ones, and make excellent new friends, too. /waves to [personal profile] rhi and [personal profile] draconis, among others/
 
Speaking of new friends, I want to talk about one of the coolest things I’ve ever experienced, fandom-wise. 
 
Numb3rs will always be the fandom of my heart. But it was never a particularly big show, and by 2022, the fandom was pretty much dead. And then someone (Hi Byrne!) wrote, and posted, an incredible story. Which inspired me to rewatch the series, and start writing again. And pull others in, too. And while Numb3rs will never be as active as it was, it’s still really cool to see the part I played in resurrecting it a little bit. 
 
Another really awesome thing about fandom? Exchanges, and how much they’ve gotten me to push my limits. If it weren’t for exchange prompts, I would never have written To The Sticking Place, about Percy Weasley (and NOT a story I could have written in my 20s or without years of reading fic and meta). I definitely wouldn’t have been brave enough to think I could replicate Jane Austen’s style well enough to attempt thy love like a mark is stamp’d (I am a Jane/Colonel Fitzwilliam shipper to the end. Sorry, Bingles.) Or, even after shipper nonsense annoyed the fuck out of me, take on the challenge of writing The Goblin Emperor fic. Or write 10k of smut for an upcoming challenge, despite being ace. 

Fandom also had me reading things I never would have encountered otherwise. Not just slash, although that's part of it. Thanks to fandom, I discovered drabbles, my beloved random fact fics, fic in the form of in-universe documents or meta, and a whole host of other things. I found writers who put the pros to shame, fics that made me gasp at the brilliance of their creators. I can safely say that reading fic has been an education, as much in what I should strive for as what not to do. 
 
Fandom also helped me reclaim my identity. When Numb3rs first aired from 2005-2010, I explained away some of the egregious errors in the show’s depiction of Amita (who was a Tamil American character played by a very westernized half-German actress) by making her half-Rajasthani. (It still didn’t fix everything, but it was better than nothing). When I returned to writing Numb3rs in 2022, I made a decision. Amita would be 100% Tamil Brahmin, and that would be enough. 
 
Never mind that Hollywood thinks all Indians speak Hindi, love Bollywood, and subsist on naan and butter chicken. Never mind neither the showrunners nor the actress bothered to give Amita a defined backstory until s4, and even then, they chose the most goatfucking stupid way of going about it possible. I would write Amita as she should have been written, like the second-generation Tamil American daughter of immigrant parents with a connection to the old country the show said she was while failing utterly to depict it accurately. 
 
That conviction led to me writing saaptiya and 25 Random Facts About Amita Ramanujan, two fics I’m incredibly proud of, with the support and encouragement of non-Desi friends. And in doing so, I healed a wound that I never realized had been hurting me for nearly two decades. 
 
So yeah. Thank you, fandom. For everything.
 
 
 
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Posted by Stefan Raets

Books The Wheel of Time

Baseball, Bene Gesserit, and the Maidens of the Spear

An exploration of hand talk and its meanings and implications.

By

Published on January 6, 2026

Credit: Jan Thijs/Prime Video

Maja Simonsen (Chiad), Ragga Ragnars (Bain), and Ayoola Smart (Aviendha) in Season 2 of Amazon Prime's The Wheel of Time

Credit: Jan Thijs/Prime Video

Recently, while roaming mindlessly across the internet, I came across a little social media post about the deaf baseball player William “Dummy” Hoy, and how he was responsible for the hand signals that are used by players, coaches, and umpires to communicate in baseball. I’ll admit that I know very little about baseball—sports aren’t really my thing—but I was intrigued by the social history, and the disability history, that the claim suggested. A little searching later, and I came across an article from the Society of American Baseball Research, which explored the history of hand signals in baseball and the contributions made by deaf players (both professional and non-professional) to their evolution and use in the sport.

Turns out, it isn’t correct to say that Hoy pioneered the use of hand signals or even that he was responsible for making them a standard part of the game. However, it does seem that Hoy and his fellow deaf players had an indelible impact on how baseball evolved hand signals for communication between teammates and coaches, umpires and players, and even between the umpires and the crowd.

You might be wondering what all this has to do with The Wheel of Time. Or perhaps, like me, any mention of hand signals starts you thinking about the “handtalk” of the Far Dareis Mai and why we really only see women using that sort of thing in the story.

The hand signals used by certain Aes Sedai and by the Black Ajah for covert communication certainly owe something to the inspiration Robert Jordan took from Frank Herbert’s Dune. The Bene Gesserit, like the Aes Sedai, are a powerful but morally dubious institution of women who use hand signals and other covert means of communication in their attempts to manipulate those around them. It is a language of spying, of political machinations, and of the mystical science the Bene Gesserit employed in their genetic breeding programs. The Aes Sedai version is not quite as sinister as that, but their manipulation and control over the world is enacted by the White Tower in a very similar way, and whenever they use hand signals or interact with their networks of spies, the reader is always very conscious of the fact that the secret signals and manipulation (usually of men) goes hand in hand.

However, the Maiden’s handtalk is different. It is a full language that the Maidens use to have conversations among themselves. While one can assume it might occasionally come in useful when communicating silently during a hunt or a wartime situation (the other societies also have hand signals for this use), it is much more than a battlefield utility. It is an everyday language, used in everyday conversations and for everyday reasons.

This makes the handtalk a very special thing in the world of The Wheel of Time, one that, in my mind, is incredibly underused. We have no examples of deaf people in this world, very few examples of any kind of disability, in point of fact, which makes the world less rich than it could be. This observation isn’t a particular dig at Jordan; the lack of diversity and representation in popular books and media is a conversation that is ongoing, societally speaking, and not what this essay is about. What I will say about Jordan, however, is that the best of his writing is so good that the flaws become more obvious by comparison. The existence of the Maiden’s handtalk, a full and complete signing language, points out the lack of deaf people in this world in a bright and glaring way that any reader, accustomed to only seeing disability portrayed when it is part of the plot, might otherwise overlook.

Kind of like how the existence of lesbians points out that Jordan completely avoided ever mentioning the existence of male homosexuality.

Kind of like how the binary understanding of sex/gender within the story wouldn’t really matter if Jordan hadn’t built a magical system around a basic and boring assumption that can’t support the beauty and complexity of everything else he did with the One Power throughout the series.

But I digress.

When the handtalk was first described, I remember thinking how excellent a narrative choice it would be to say that there was once a deaf Maiden for whom the handtalk was invented, so that she could truly be a participant in the lives of her spear-sisters, and they in hers. It made sense to me that the Far Dareis Mai might have an easier time integrating someone disabled, someone different, since their identity is also that of outsiders. They are considered equals among the other warrior societies when it comes to their abilities as fighters, but not in other ways; their access to the identity is limited because of their gender, and they have special rules and requirements (no marriage, no motherhood) in order to maintain that identity that men do not have to worry about. If anyone would understand the desire of an outsider to access a world not traditionally available to them, and that the challenges and restrictions of that access do not make the identity lesser, or shameful, it would be the Maidens of the Spear.

But the story of William “Dummy” Hoy—both the simple social media “myth” that he was single-handedly responsible for the creation and implementation of baseball hand signals and the more complex and interesting truth that a variety of deaf players combined with other practical needs of the sport led to the signals we know today—reminded me of my own biases around disability representation in story. Even as a disabled person myself, I made the mistake of conceptualizing a single deaf character who influenced this society in a way that was overly simplistic and tokenizing. The truth of the deaf community’s influence on baseball and the interplay between them and their teammates, coaches, and the needs of the game is more interesting by far than the idea of one “special” deaf person revolutionizing something. 

Disabled people should exist in fiction because they exist in life—not as a device to explain an interesting quirk about the world.

The focus of the narrative around Maiden handtalk is primarily on the fact that the Maidens can use their sign language, which no one outside their society knows how to understand, to make jokes and gossip about those around them, and particularly members of the other warrior societies, all of whom are men. They very often talk to each other about Rand, including when he is in the room with them. There is no other reason for the Maidens to have a more developed sign language than other communities, other than the fact that it lets them have secret conversations. Because women are sneaky, and they talk about you to manipulate you (or make fun of you).

Of course, there is another group that has a fully developed sign language, and that is the Seanchan nobility. It primarily appears to be used by high-ranking members of the blood to communicate to their so’jhin Voices, but we also see Tuon and Selucia having entire conversations about a variety of subjects, keeping track of what is going on during their captivity and discussing it in great deal, without anyone knowing.

What Tuon and Selucia are doing is spying, but their activities also can’t escape being read from the “gossipy women” angle, especially since so much of their conversation is about Mat. Though the same signs may very well be used by male Seanchan, we have never seen it. Narratively, the use of sign language is presented as the purview of women, used to deceive and dissemble and control men.

And as I consider all this, I can’t help but think of all the ways that humans in general tend to distrust those who speak in a language they can’t understand. We worry they are talking about us, probably because many people in our society have a constant fear of being judged, especially by those who belong to a different group than us, be it to a different culture, or a different belief system… or a different gender.

As in our world, there is deep distrust between the sexes in the lands of The Wheel of Time. In some ways, this is part of the story, as the taint on saidin has resulted in a fracture between men and women, and has taken away the true power of humanity by removing the ability of male and female channelers to work together. But a lot of it is also presented as a simple fact of the world, apparently a biological, or at least a social, truth that has nothing to do with the fallout of the conflict between Lews Therin and Latra Posae during the War of Power. I think it’s sort of a shame that sign language exists in this world as a part of that disparity, when it could be so much more.

There are many reasons for the evolution and use of hand signals in baseball. It is not only deaf players who needed signs to understand the umpire’s calls, but also fans seated far away in the stadium seats. The ability for a coach to signal a player’s next move to them without the other team hearing the plan still exists even if there are no deaf or hard of hearing players on the team. And yes, deaf players needed a way to communicate with their teammates that wasn’t through spoken words.

It’s the complexity of the story that makes it beautiful.


Happy New Year to all my Reading The Wheel of Time friends! Your regularly scheduled column resumes next week.[end-mark]

The post Baseball, Bene Gesserit, and the Maidens of the Spear appeared first on Reactor.

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Posted by Molly Templeton

News The Death of Robin Hood

Michael Sarnoski’s The Death of Robin Hood Trailer Is Out to Destroy a Legend

He’s killed soooooo many people

By

Published on January 6, 2026

Screenshot: A24

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<p class="syndicationauthor">Posted by Molly Templeton</p><p class="ljsyndicationlink"><a href="https://reactormag.com/michael-sarnoski-the-death-of-robin-hood-trailer/">https://reactormag.com/michael-sarnoski-the-death-of-robin-hood-trailer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=835573">https://reactormag.com/?p=835573</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/the-death-of-robin-hood/" class="inline-block link-no-animation" aria-label="Link to term or tag The Death of Robin Hood 1"> The Death of Robin Hood </a> </span> </div> <h2 class="post-hero-title text-h1">Michael Sarnoski’s <i>The Death of Robin Hood</i> Trailer Is Out to Destroy a Legend</h2> <div class="prose post-hero-description prose--post-hero">He&#8217;s killed soooooo many people</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/molly-templeton/" title="Posts by Molly Templeton" class="author url fn" rel="author">Molly Templeton</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on January 6, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Screenshot: A24</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/michael-sarnoski-the-death-of-robin-hood-trailer/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 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11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="493" src="https://reactormag.com/wp-content/uploads/2026/01/death-of-robin-hood-trailer-740x493.jpg" class="w-full object-cover" alt="Hugh Jackman in The Death of Robin Hood" srcset="https://reactormag.com/wp-content/uploads/2026/01/death-of-robin-hood-trailer-740x493.jpg 740w, https://reactormag.com/wp-content/uploads/2026/01/death-of-robin-hood-trailer-1100x733.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/01/death-of-robin-hood-trailer-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2026/01/death-of-robin-hood-trailer-1536x1023.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/01/death-of-robin-hood-trailer.jpg 1837w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Screenshot: A24</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Sexy fox Robin Hood, this is not. <em>The Death of Robin Hood</em>, from <em>Pig</em> director Michael Sarnoski, declares in big text across the screen THE LEGEND WAS A LIE. Stealing from the rich to give to the poor? Merry thieves and whatnot? Nah. Purveyors of grimly brutal violence, more like.</p> <p>This new trailer offers few additional details, though about a year ago, when Murray Bartlett and Bill Skarsgård <a href="https://reactormag.com/bill-skarsgard-murray-bartlett-the-death-of-robin-hood/" target="_blank" rel="noreferrer noopener">joined Hugh Jackman</a> in the cast, the synopsis said, “The story follows a battle-worn loner, grappling with his past after a life of crime and murder, who finds himself gravely injured and in the hands of a mysterious woman, who offers him a chance at salvation.”</p> <p>Said mysterious woman is played by Jodie Comer, who between this and <em>28 Years Later</em> has been spending a lot of time on movies where her character exists without modern conveniences. Skarsgård is playing &#8220;a version of Little John,&#8221; as Sarnoski <a href="https://ew.com/hugh-jackman-death-robin-hood-first-look-exclusive-11857327" target="_blank" rel="noreferrer noopener">told <em>Entertainment Weekly</em></a>.</p> <p>The director also said that he wants to keep Comer&#8217;s character a mystery, but the trailer seems not at all subtle about the connection between her and the little redhead Hugh Jackman&#8217;s Robin seems to be semi-mentoring. But perhaps we are reading too much into her carefully covered-up hair and her knowing looks.</p> <p>Sarnoski said of his film&#8217;s origins, &#8220;There&#8217;s an old quote about Robin that sort of says he&#8217;s this murderous bandit who the common folk have decided to glorify, and I wanted to examine someone who was going through that in their lifetime, and trying to grapple with the role of storytelling and their actual identity.&#8221; Which sounds quite interesting—if you can sit through the brutality. </p> <p><em>The Death of Robin Hood</em> is &#8220;coming soon.&#8221; [end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="10562"/> </div></figure> <p>The post <a href="https://reactormag.com/michael-sarnoski-the-death-of-robin-hood-trailer/">Michael Sarnoski’s &lt;i&gt;The Death of Robin Hood&lt;/i&gt; Trailer Is Out to Destroy a Legend</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/michael-sarnoski-the-death-of-robin-hood-trailer/">https://reactormag.com/michael-sarnoski-the-death-of-robin-hood-trailer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=835573">https://reactormag.com/?p=835573</a></p>

Today it did snow

Jan. 6th, 2026 03:17 pm
oursin: Brush the Wandering Hedgehog by the fire (Default)
[personal profile] oursin

Though by now it's mostly dispersed - still lying in parts.

***

Yesterday had that exasperating thing of asking what I thought was a question for very specific thing (not even for myself, for someone who didn't have access to this particular knowledge-resource) and got, okay, one really good response that was right on point, and several which demonstrated that actual humans are quite capable all by themselves of hallucinating what the question actually was and providing answers entirely tangential and Point Thahr Misst.

***

I have had to do with this campaigner: ‘Women have to fight for what they want’: UK campaigner’s 60-year unfinished battle for abortion rights over archives of campaigns she was involved in (I even, as I recollect, suggested an appropriate riposte - a bouquet of parsley - to some weird hostile message sent to her by the notorious Victoria Gillick.)

Pretty much her contemporary, I don't think I ever met the recently-deceased Molly Parkin, but I certainly read various of her writings, including most of her various 'bonk-busters' - I'm not sure they entirely fit that category - which seem to have fallen out of print, at least, they do not seem to have enjoyed e-revival.

birdandfoxboys: Troue (Default)
[personal profile] birdandfoxboys posting in [community profile] 1character
Character: Joshua Rosfield
Fandom: Final Fantasy XVI
Theme set: Delta
Rating: G
Warnings: Mention of incestuous feelingsRead more... )
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Posted by Sarah

Books reading recommendations

Five Horror Stories About Inanimate Objects Coming to Life

Creepy dolls and sinister puppets are bad, but how about a haunted, sentient rollercoaster?

By

Published on January 6, 2026

Photo: Tapio Haaja [via Unsplash]

photo of doll heads

Photo: Tapio Haaja [via Unsplash]

The idea of inanimate objects coming to life may sound whimsical, but in the hands of horror authors, it can be absolutely terrifying. Stephen King has employed this strategy to great effect over the course of his career: Not only has he given sentience to objects with clear lethal ability, most notably a car in Christine (1983) and an industrial ironing machine in “The Mangler” (1972), but he’s even managed to transform seemingly harmless objects into the stuff of nightmares—I’m looking at you, topiary animals from The Shining (1977).

Of course, Stephen King isn’t the only author to imbue inanimate objects with life to sinister effect. Here are five other memorable examples.

The Ancestors” by Adam Nevill (2009)

cover of Some Will Not Sleep: Selected Horrors

(Collected in Some Will Not Sleep) It’s not all that uncommon for small children to witness something creepy, but to not be aware of how disturbing the event is to the adults around them. This disparity helps drive the narrative, and the reader’s deepening sense of unease, in “The Ancestors.” Young Yuki has moved into a new house with her parents and although she initially didn’t want to leave her old life behind, she’s feeling better about it now that she’s befriended Maho, the resident ghost.

Friendships with ghosts aren’t necessarily scary or sinister—Casper is notoriously friendly, after all—but certain aspects of Maho’s behavior with Yuki would definitely freak out an adult. This includes Maho wrapping Yuki up in her long black hair when she sleeps (that’s a big no thank you from me). The one thing that does give Yuki pause is the fact that all of the toys in the house come to life at night, but Maho assures her that they’re friendly.

Given that this is a horror story and not Toy Story (1995), it’ll come as no surprise that the toys aren’t exactly innocent, but I’ll let you discover exactly how for yourself.

The Silent Companions by Laura Purcell (2017)

cover of The Silent Companions

Set largely during the Victorian period, The Silent Companions is a creepy and atmospheric Gothic tale that unfolds over three connected timelines.

The main story begins in 1865, with Elsie Bainbridge, a recently widowed pregnant woman, moving into her late husband’s ancestral home, The Bridge. Along with the help of his cousin, Sarah, and a few housekeepers, Elsie works to fix up the dilapidated house. In a locked room, she finds life-size wooden figures—known as silent companions—and decides to decorate the house with them. She also finds the diary of Anne Bainbridge and this narrative, written during 1635, forms the second timeline. The third thread of the story follows Elsie in a psychiatric hospital at an unspecific time in the future.

We know from the jump that things go wrong for Elsie at The Bridge (the book opens with her confined to the hospital) and it’s obvious that the eerie silent companions had something to do with it, but there’s also a psychological element to this novel that leaves the reader constantly questioning events.

Gothic by Philip Fracassi (2022)

cover of Gothic

Tyson Parks was once a bestselling horror author, but his past few books have flopped and he’s struggling to get words down on the page for his current work-in-progress. That all changes when his girlfriend gifts him an antique desk for his birthday. Sure, the fact that the desk had fallen and crushed a worker at the antique dealers is a little unsettling. And yes, some of the ornate images carved into the wood are pretty grotesque. But Tyson doesn’t much care because at least he’s finally writing again.

It quickly becomes clear that the desk is possessed by something sinister, though, and while it reignites Tyson’s literary spark, it also twists him into an abhorrent person [CW: this involves a graphic rape scene]. Gothic is an exploration of a writer’s descent into madness, and along the way the reader is treated (or subjected, depending on your point of view) to some gruesome body horror courtesy of this demonic desk.

How to Sell a Haunted House by Grady Hendrix (2023)

cover of How to Sell a Haunted House

Based on the cover alone, How to Sell a Haunted House looks like a typical haunted house story, but there’s an extra horror element at play: creepy puppets and dolls.

The story starts with Louise learning that her parents have been killed in a car crash. Grieving is hard enough as it is, but she’s also tasked with settling her parents estate with the help (or, in her view, interference) of her brother, Mark. The siblings have never seen eye to eye and their combative dynamic is only exacerbated by their attempts to clean out the house so that it can be sold. But the situation goes from pretty bad to significantly worse when they discover that their mom’s extensive collection of puppets and dolls has been brought to life by a dangerous spirit haunting the house.

Grady Hendrix is known for his fun and intentionally campy writing style—something which lends itself well to possessed puppet horror—but this story manages to balance humor with a serious and heartfelt exploration of grief.

The Merge Monster Incident: One Year Later” by Johnny Compton (2025)

cover of Midnight Somewhere

If dolls and desks don’t seem like big enough threats when it comes to inanimate objects coming to life, then how about something on a grander scale—perhaps a whole rollercoaster? The Merge Monster is a coaster that was Frankensteined together from the parts of other decommissioned carnival rides. Then one day, the rollercoaster simply comes to life and walks out of the theme park—with people still strapped in.

This short story is told from the perspective of a journalist one year after the seemingly impossible event took place. Our protagonist is trying to piece together any information they can about the Merge Monster Incident by digging into the coaster’s construction, interviewing theme park guests who witnessed the event—clear video footage unfortunately doesn’t exist—and attempting to track the coaster’s movements since it simply walked away.

The idea of a rollercoaster coming to life might seem silly to begin with, but the story quickly takes on a chilling air and by the end leaves readers haunted by a few key questions which are only partially answered. Where exactly did the Merge Monster go? And what happened to the people who were still on the ride?


If you’d prefer to watch inanimate objects come to life on the screen, rather than read about them on the page, you can check out this list of horror movies! And please chime in below to recommend and discuss other scary stories about formerly inanimate objects come to life…[end-mark]

The post Five Horror Stories About Inanimate Objects Coming to Life appeared first on Reactor.

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Posted by Molly Templeton

News Avengers: Doomsday

The Third Avengers: Doomsday Teaser Is Just An Excuse to Feel Nostalgic About The X-Men

It would be more exciting to see these characters in THEIR OWN MOVIE, my dudes

By

Published on January 6, 2026

Screenshot: Marvel Studios

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<p class="syndicationauthor">Posted by Molly Templeton</p><p class="ljsyndicationlink"><a href="https://reactormag.com/avengers-doomsday-teaser-x-men/">https://reactormag.com/avengers-doomsday-teaser-x-men/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=835558">https://reactormag.com/?p=835558</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/avengers-doomsday/" class="inline-block link-no-animation" aria-label="Link to term or tag Avengers: Doomsday 1"> Avengers: Doomsday </a> </span> </div> <h2 class="post-hero-title text-h1">The Third <i>Avengers: Doomsday</i> Teaser Is Just An Excuse to Feel Nostalgic About The X-Men</h2> <div class="prose post-hero-description prose--post-hero">It would be more exciting to see these characters in THEIR OWN MOVIE, my dudes</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/molly-templeton/" title="Posts by Molly Templeton" class="author url fn" rel="author">Molly Templeton</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on January 6, 2026 </p> </div> </div> <div class="post-hero-caption 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0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="493" src="https://reactormag.com/wp-content/uploads/2026/01/magneto-avengers-doomsday-740x493.jpg" class="w-full object-cover" alt="Ian McKellen in Avengers: Doomsday" srcset="https://reactormag.com/wp-content/uploads/2026/01/magneto-avengers-doomsday-740x493.jpg 740w, https://reactormag.com/wp-content/uploads/2026/01/magneto-avengers-doomsday-1100x733.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/01/magneto-avengers-doomsday-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2026/01/magneto-avengers-doomsday.jpg 1500w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Screenshot: Marvel Studios</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>In less than a month&#8217;s time, we&#8217;ve had three teasers for <em>Avengers: Doomsday</em>, which comes out at the end of this year. The <a href="https://reactormag.com/steve-rogers-in-avengers-doomsday-trailer/" target="_blank" rel="noreferrer noopener">first teaser promised</a> that Steve Rogers (and his baby) will return in <em>Avengers: Doomsday</em>; the second showcased Thor being stressed about being a father. And now the third is about the X-Men (emphasis on <em>men</em>).</p> <p>It feels curmudgeonly, a bit, to be grumpy about seeing Patrick Stewart and Ian McKellen together as Professor X and Magneto again. But there&#8217;s a quality to these teasers—heavy-handed, pushing on the feelings buttons—that suggests all these characters are just being dragged out again to get killed off. There is no sense of the movie itself, just a CGI-looking trip to a battered Xavier&#8217;s School for Gifted Youngsters; a Stewart voiceover announcing &#8220;Death comes for us all,&#8221; and a perfect, sly grin passing between old friends. </p> <p>And also Cyclops (James Marsden) does a big red eye-beam.</p> <p>Other X-Men will be in <em>Doomsday</em>, including Beast (Kelsey Grammer), Nightcrawler (Alan Cumming), Gambit (<em>sigh</em>, Channing Tatum), and Mystique (Rebecca Romijn). Returning Avengers, along with Thor and Cap, include Anthony Mackie (also Captain America), Danny Ramirez (Falcon), Sebastian Stan (Bucky Barnes), Paul Rudd (Ant-Man), Tom Hiddleston (Loki), Letitia Wright (Black Panther), Winston Duke (M&#8217;Baku), and Simu Liu—and also the <em>other</em> Avengers, which is to say the ones previously known as the Thunderbolts: Florence Pugh (Yelena Belova), David Harbour (Red Guardian), Wyatt Russell (John Walker), Hannah John-Kamen (Ghost), and Lewis Pullman (Bob). </p> <p><em>And</em> the Fantastic Four will be here, too: Pedro Pascal as Reed Richards, Vanessa Kirby as Sue Storm, Joseph Quinn as Johnny Storm, and Ebon Moss-Bachrach as Ben Grimm. </p> <p>That&#8217;s too many people. I don&#8217;t even want to bring up the whole Robert Downey Jr./Doctor Doom thing. </p> <p><em>Avengers: Doomsday</em> is directed by Joe and Anthony Russo from a script by Stephen McFeely (the Russos&#8217; frequent writer) and Michael Waldron (the guy who made a lot of frustrating choices for <em>Loki</em>). The movie will be in theaters December 18.[end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="10560"/> </div></figure> <p>The post <a href="https://reactormag.com/avengers-doomsday-teaser-x-men/">The Third &lt;i&gt;Avengers: Doomsday&lt;/i&gt; Teaser Is Just An Excuse to Feel Nostalgic About The X-Men</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/avengers-doomsday-teaser-x-men/">https://reactormag.com/avengers-doomsday-teaser-x-men/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=835558">https://reactormag.com/?p=835558</a></p>

tiki

Jan. 6th, 2026 07:16 am
prettygoodword: text: words are sexy (Default)
[personal profile] prettygoodword
[Sidebar: I didn’t fully unpack yesterday that the Austronesian language family includes, as a subgroup, the Polynesian languages. It encompasses the indigenous languages of Taiwan (the Austronesian homeland), the Philippines, Madagascar, Malaysia, most of Indonesia, as well as most Pacific islands to the east and south, excluding New Guinea and the continent of Australia. The Austronesian Expansion was … expansive.] [Sidebar2: Statements that Malayo-Polynesian is a synonym for Austronesian can be readily found yet are wrong: Malayo-Polynesian is subgroup of Austronesian, covering all the languages outside of Taiwan.]


tiki (TEE-kee) - n., a figurine or talisman in humanoid form of a god or ancestor.


tiki statue in Tahiti
Thanks, WikiMedia!

Also, as an adjective, relating to an exoticized representation of Polynesian culture characterized by tiki figures, palm fronds, tropical themes, etc. -- because tiki culture is indeed weird. Among Maori, talisman versions of tiki (called hei-tiki) are sometimes worn for protection/luck. Tiki was the first man in Maori mythology, and tikis are also known by the name of the first man in Tahitian (Tiʻi), though in Hawaiian the first man was Kumuhonua and a tiki is a kiʻi -- interestingly, tikis are known only in Eastern Polynesian cultures.

Which brings up the bonus word moai (MOW-ai), one of the large stone statues on Easter Island (Rapa Nui), which even though they are representations of ancestors, not to mention highly influential on tiki culture, are not considered tikis:

three maoi, chilling
Thanks, WikiMedia!

[Sidebar3: The emoji 🗿 is not actually a moai but rather a moyai, a Japanese sculpture inspired by maoi -- in the dialect of Niijima, where they were first carved, moyai means joining forces/helping each other, and mayoi are often used as meet-up landmarks.]

---L.

Back in the Groove

Jan. 6th, 2026 08:45 am
pshaw_raven: (All Work No Play)
[personal profile] pshaw_raven
I need to learn how Obsidian works. And since it isn't full-featured on Chrome, I need to get it onto my Windows computer and learn it there. I may wish to rearrange my desk some so that typing is easier, making two workstations out of one computer - the writing side and the drawing side.

I finished up a rough draft of "Oracle," and now I need to get it typed up so I can start editing. I typically like to write longhand and just ... write stuff. I'll make notes or digress, and that's all stuff I can fold in when I'm editing. Some of my rough drafts can be pretty disjointed.

But first, a short run. Just to the stop sign and back. I'm enjoying running again, not really going out with any agenda, just running. Today I may run some speed intervals once I'm at the top end of Villa Nueva where the surface is firm. I want to get a solid base built up by March where a ten-mile long run is normal, and from there I can build up miles to get to my goal of fifty. RunDisney is opening Wine & Dine signups early - February 10 for the great unwashed. Fox's foot and leg have improved so much that he's now going out regularly for walks and starting to build his cardio and endurance back up. That's the power of seeing a doctor who fucking listens to you. So he feels much more confident about signing up for Wine & Dine himself.

We shut a Dove in the garage, and I found it yesterday. It was exhausted, but happily not dead. It was trying to get out the back window, so I opened the main door, but it was determined that the window was the way out. It was also tired enough that I was able to grab it and carry it outside. When I got to the driveway and opened my hands it did that thing where it just sat staring at me for a moment before flying off, as if it was thinking, "So are you going to eat me? Wait ... you're not?" We're usually good about checking for birds when we've had the door open for a long time, but sometimes they hide.

Fandom Meme 2025

Jan. 6th, 2026 08:40 am
spikedluv: (winter: mittens by raynedanser)
[personal profile] spikedluv
I haven’t done this year-end meme in several years, but this year seems like a good time to bring it back.


1. Your main fandom of the year? Murder, She Wrote. Out of 21 fic, 12 of them were in this fandom (solely, or as a crossover), plus the 14 ficlets I wrote for [community profile] halfamoon.


more back here )

The Day in Spikedluv (Monday, Jan 5)

Jan. 6th, 2026 07:19 am
spikedluv: (winter: mittens by raynedanser)
[personal profile] spikedluv
I hit Price Chopper and the Pharmacy while I was downtown and did some drive-thru banking on the way home. I did a load of laundry, hand-washed dishes, emptied the dishwasher, went for several walks with Pip and the dogs, hard-boiled eggs, cut up chicken for the dogs' meals, placed some online orders, and scooped kitty litter. We had leftover lasagna for supper.

I finished my book! I watched some HGTV (Hometown is back!) and an ep of Secrets of the Zoo. Dr. Pol was my evening background tv.

This was day 1 of trying to eat a little bit better and making sure I went on walks instead of slacking. One thing I purchased to try was the Hood brand cottage cheese already mixed with peaches. It was awful. Tasted like they added a lot of sugar to it. I guess I'll be buying a whole container of cottage cheese and a can of diced peaches and making my own again, instead. (My concern was that I wouldn't finish it and it would go bad, but that concern pales in the face of how much yuck I felt putting that other stuff in my mouth.)

Temps started out at 18.9(F) and reached 23.9. We got about an inch of snow over the course of the day.


Mom Update:

Mom sounded really good when I talked to her. cutting because I spilled some emotion )

State of the boob

Jan. 6th, 2026 07:26 pm
fred_mouse: bright red 'love' heart with stethoscope (health)
[personal profile] fred_mouse

Medical details ahead.

possibly TMI )

Choices (2)

Jan. 6th, 2026 08:48 am
the_comfortable_courtesan: image of a fan c. 1810 (Default)
[personal profile] the_comfortable_courtesan
Useful to have diplomatic relations

Leda Hacker, in guise as Larry Hooper, took a final look around the studio of the daguerreotypist Vohle. Fancied that she had investigated all the possible hidey-holes where he might conceal evidence that 'twas he behind this matter of acquiring evidence for extortion. Had even, proceeding very delicate, gone about probing the insides of his daguerreotype machinery – for the industrious apprentice of that prime ken-cracker Laffen was up to all the tricks! But found naught but a very great deal of saucy pictures and stereoscopic slides.

Examining these as closely as she might with her dark lantern, while ensuring that no ray of light would draw unwanted attention, she was like to think that all those depicted were volunteers that had been very carefully posed. For her own experience of having been took – an entire chaste portrait, as an excuse for visiting the studio during daylight hours – had shown her that while mayhap 'twas not quite the like of sitting to an artist to be painted, the subject was required to keep still for what seemed an entire tedious while.

No, while she fancied the Vice Society might have some concerns over his trade – though as these things went, Leda fancied that he had what one might consider a very artistic touch. One did not pass as much time as she did with Lady Bexbury and her circles without acquiring some notion of how such matters might be judged! –

But unless he had some other lair, this was a false trail, and she might even, perchance, commend Vohle’s services to dear Bert that he seemed entire suitable to record Bert himself as the Duchess of Clerkenwell Green and other members of his sisterhood decked in their finery.

Well, time to hook it.

The first thing to do, after stowing certain tools of the trade in a satchel, was to very carefully wipe the blackening from her face, just as Laffen had taught her, and check in her little hand mirror, that was of all sorts of use.

Then, pulling her cap into a jaunty angle, here was Larry Hooper went further into Seven Dials to go take a glass or so in Black Tom’s, greet old acquaintance, see what Tom’s missus was cooking –

So Larry stepped in to the bustle of that tavern, and the two parrots squawked and Poll said somewhat exceeding coarse, while Zanty added somewhat that being in Greek, one could not tell whether 'twas coarse or not. There were several young swells that supposed they was seeing life here looked very jealous at that mark of familiarity – Larry gave 'em a brief glance.

Hah: young Rich Osberton and that set that had used to hang about him and Mr Peter Reveley afore he married Osberton’s sister. No great harm in 'em.

Tom had a glass of gin – the good genever! – already poured for Larry, and remarked that we was quietish the night, dared say Mr Barron would look in later.

Came bustling out Tom’s missus, with a plate of – la, was that pierogi? – yes, here she was telling the tale of how Mrs Barron, Ludmilla Kaminski that was, had been teaching her the art, and she fancied these had turned out well but would appreciate Mr Hooper’s verdict –

Larry took one, and popped it into his mouth, chewed with a savouring expression and declared that she had quite got the touch of it – perchance not quite yet to that of Mrs Barron, but excellent good – and would take the plate –

Looked around and there were very few empty spots –

Hah, will go make civil to Thad –

For there was Thad Mallen, one of Nat Barron’s chief henchmen, sitting alone, looking morose. In a dangerously louring way, for Thad was reckoned not one to meddle with.

So Larry went over there with platter and mug in hand, greeted Thad, that started, and nodded perchance afore had give the matter any thought, so Larry sat down.

Thad went punch him rather half-hearted upon the shoulder in greeting – Thad and Jem and others of Nat’s boys that had been wont to know Leda as Bet Bloggs in the days when she had walked the streets of Seven Dials were a deal happier to treat her as Larry rather than Leda. Sure they had come to consider Bet a prime confederate at that time when Art Colley and Rodge Hossen had been endeavouring a coup against Nat Barron, but even did they not know of Nat’s later design to wed Bet, having noted what a useful creature she was, there was a lingering uneasiness after she had fled Seven Dials at the prospect.

But here was Larry, that came put certain business in the way of Grigori the pawnbroker and fence – for there was Matt Johnson’s agency commissioned to recover certain items of sparkle, no questions asked, for reward – and various other matters where 'twas entire useful to have diplomatic relations with Nat –

Larry was entirely the accepted habitué of Nat’s manor!

How now, Thad, how goes it? Sure, let me refill your glass – waving to Tom, that came very brisk –

Thad groaned, and enquired how that prime example of womanhood, Mrs Halloran, did? Was that wretch her husband still in life?

Larry suppressed a grin. For some while now Thad had been, one might only say, quite desperate in love, with Tess Halloran, of the Matt Johnson agency. Had encountered her when commissioned to present in the character of a concerned male relative when her husband in the penitentiary had been give out desperate sick and calling for her, that had been suspected some ruse. But whatever he had aimed at, the sight of Thad was like to put a halt to his plans!

Had not merely subsequently escorted Tess about to various places of entertainment, but had, through Larry, offered that there was ways, even within penitentiary walls, of disposing of her husband. That had, aside from his wicked embezzling ways, been a horrid cruel beast to his wife, that the law of the land considered a deal lesser matter.

O, entirely in health – she was in Yorkshire at present about certain cases – the wretch still lingered alas –

Thad renewed the offer that did one have the right acquaintance, 'twas no matter at all to arrange – he made a throat-cutting gesture –

This was, Larry understood, a very chivalrous offer – would be drawing upon as 'twere stored up credit – might require some matter in due course of reciprocation

However, one had to wonder whether Tess was at all inclined to tie herself up – in hallowed or unhallowed union – with a man again. Her husband had been such a brute that must give a woman pause.

But – leaning back, looking at Thad, that never looked aught but grim – while was very noted for his ways of dealing out lessons on Nat Barron’s behalf, and occasional dispatching fellows, did not recall that he was one that was particular given to being violent to women except, it might be, in that line of duty.

Could look into that –

Should go make civil to Lil and Joan, am I in these parts, said Larry, rising. For her old friends from the street-walking days would very like know somewhat of that!

So he walked through the streets and alleyways, nodding to this one and that and occasional stopping for rather more in the way of greeting, until he reached the ‘ccommodation house that Lil and Joan now managed, instead of walking the streets. And had rose to be considered among Nat Barron’s counsellors in matters about women – Nat had come to apprehend that whores learnt a deal of men when they were about their trade, that might be most material to his interests!

Found Joan a-sitting at the entrance – it was a great comfort to see how well Joan looked these days, now that she did not have to be on the streets in all weather – went spend some weeks at the seaside in Dolly Mutton’s Home in the summer – been looked over by a proper physician – 'twas not consumption as they had feared but not dared speak of, but a persistent bronchitis, that this new way of life greatly ameliorated.

No Lil?

Joan grinned. Law, 'tis the time that peeler of hers gets off duty – and even is he now advanced to sergeant

Larry whistled.

– still has the greatest notion to Lil, 'tis quite the regular thing these days.

Larry grinned back and said, must come very useful! And asked more generally after business, as was only civil, before proceeding to the question of whether there was aught known to his detriment of Thad’s behaviour towards women.

Joan pursed her lips and looked thoughtful before saying that sure Thad’s looks did him no favours –

Indeed the picture of a villainous fellow in a melodrama!

– and all know his trade, though there must be more to him than that, does Nat hold him in such high esteem –

Indeed so! Thad had been a very useful confederate against Art and Rodge, more than one might have guessed.

– but there has never been any trouble with any of the girls – and was there anything at all about these parts I cannot fathom it being kept secret –

Larry nodded. So I might give him a good character to this lady he takes a notion to!

Joan guffawed and remarked that he was also said exceptional neat at his job.

So 'tis give out!

Mayhap Thad was give to being somewhat dour but from Tess’s telling of it, her husband had shown all charm and bonhomie, very persuasive in the matter of selling spurious railway shares, and had been an entire brute behind closed doors.

It was not so late that she might not take an omnibus to Clorinda’s pretty house, where she found her dear love still up – sure Sophy would chide – and in somewhat of a fret, with a letter in her hand.

Here it appears I must to Shropshire about some business over the mine, and thus disturb the solitary retreat of that agreeable lady Miss Kirkstall –

Leda went to kiss her and assure her that her presence would make that retreat entire perfection. And that she dared say that Miss Kirkstall was already being invited to tea-parties – to dine quietly as befitted her mourning condition – &C – by what constituted the society in those parts.

Oh, indeed you put it aright! La, I am a foolish Clorinda. A new face is ever welcome there.

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